Playland: A Slightly Subversive Love Story

The award-winning author of Me and Orson Welles has written a new novel set against the lost world of New York City in the summer and fall of 1972. Playland: A Slightly Subversive Love Story chronicles what it feels like when a first love ends.

David and Stacey are intelligent, ambitious, acerbic high-school seniors—wise beyond their years—who decide to live together in New York City rather than attend college as their friends and families expect, and we follow their struggle to hang on to their humor and passion as they attempt to make a mark on the world.

Playland: A Slightly Subversive Love Story is a closely-observed character study—a vivid snapshot of a lost moment in time. In the end, both David and Stacey survive, and, on their own unsentimental terms, even triumph.


Me And Orson Welles

Now a major motion picture from acclaimed director Richard Linklater, starring Zac Efron, Claire Danes, and Ben Chaplin.

An irresistible romantic farce that reads like a Who’s Who of the classic American theater, Me and Orson Welles is set during the launch of the then twenty-two-year-old Orson Welles’ debut production of Julius Caesar at the Mercury Theatre on Broadway. Beautifully translated to screen by Richard Linklater, the film stars Zac Efron as Richard Samuels, a stage-struck seventeen-year-old from New Jersey who wanders onto the set and accidentally gets cast in the show, forever changing his life as he becomes caught in a vortex of celebrity, ego, art, and love.

Morning Edition “Me and Orson Welles” interview:
One of the best depictions of male adolescent yearning ever to hit the page…Joyful and alive, crackling with wonder.
Kirkus Reviews, Starred Review
Richard, in the span of 260 breezy pages, falls in love, has his heart broken, sees his showbiz dreams crushed, and—beautifully, almost imperceptibly—becomes a man.
Entertainment Weekly

Alex Icicle: A Romance in Ten Torrid Chapters

Has any boy ever loved a girl the way Alex loves Amy? Has there ever been a passion so intense, so ludicrous, so heartbreaking, so funny? Alex is fourteen years old. He’s a sort of literary genius (or so he would like us to believe.) But when he falls under the spell of the thrillingly beautiful and elusive Amy Hart, his world falls to pieces. And she’s moving to California in 26 days! He has got to tell her. He has got to tell her how he feels about her Indian moccasins…her striped socks…her self-mocking smile…the shape of her strong shoulders; the paleness of her face; the petulance of her lower lip; the way her hair falls against her cheek.…

Morning Edition “Alex Icicle” interview:
Still the funniest adolescent novel around a spoof of books and styles, all without a moment’s condescension.
Literature for Today’s Young Adults
Deftly imitating the self-conscious vulgarities that callow youth affect to prove their worldliness, Kaplow has written a ribald comedy.
Publishers Weekly
This offbeat book is just plain fun. Parts are so “gross” as to break all canons of good taste with adolescent glee.
English Journal

Who’s Killing the Great Writers of America

What do bestselling writers Sue Grafton, Danielle Steel, Curtis Sittenfeld (“Prep”) and Tom Clancy all have in common? They’ve all been murdered in a manner both gruesome and appropriate to their style. An extremely paranoid Steven King is convinced that he will be the next victim, and so he must leave his heavily-barricaded fortress in Bangor, Maine, to discover Who’s Killing the Great Writers of America? This hilarious send-up of the world of publishing by the author of Me and Orson Welles and The Cat Who Killed Lilian Jackson Braun takes us from Venice to Paris to Maine and offers cameo appearances by Steve Martin, Gerard Depardieu, plus a few surprises.

WBGO Journal interview:

Actor/comedian Arte Johnson reads the opening of Who’s Killing the Great Writers of America? ©Phoenix Books

Funny. Irreverent. Fast-paced. Parody at its best. Kaplow’s clever spoof will please everyone but its victims.
Library Journal

The Cat Who Killed Lilian Jackson Braun

America’s most beloved writer, Lilian Jackson Braun, author of twenty-four Cat Who… mysteries is now the subject of a mystery herself. In this spoof by one of her most ardent admirers, her beheaded body has been discovered in the men’s room of a gay bar in Lower Manhattan. The police are baffled, and so it is up to Braun’s eccentric writer friend, James Q. (Qafka), and his Siamese cats Ying-Ton and Poon-Tang to solve the ghastly mystery. Q.’s quest leads him on a hilarious, ribald chase that’s a cross between a story by Lenny Bruce and Dashiell Hammett. Before it’s done we’ve encountered Pulitzer Prize-winning Philip Roth, a sex-starved suburban housewife, a mysterious Hollywood diary, Britney Spears, an ancient secret society, and two gifted cats whose trail of urine and hairballs leads Q. and his spunky undergraduate assistant to finally unravel the riddle of The Cat Who Killed Lilian Jackson Braun.

Actor/comedian Arte Johnson reads the opening of The Cat Who Killed Lilian Jackson Braun. ©Phoenix Books

In this wildly funny, biting satire…the zingers come quickly…the copious puns range from the simple to the elaborate…the reading public may read and roar.
Publishers Weekly
Outrageous, outlandish, and laugh-out-loud funny.
The Globe and Mail

Alessandra in Love

Alessandra is hopelessly in love, and this time it’s for real. When tall, dark, and handsome Wyn Reed walks into orchestra class for the first time, Alessandra’s heart stands up and sings the Hallelujah Chorus. Wyn is a talented cellist with ambitions to get a scholarship to Juilliard. He’s everything Alessandra’s romantic imagination could hope for, and best of all, he likes her! Now the problem for Alessandra is Wyn’s other friend, Debbie. Wyn says Debbie is just an old friend—and ex-girlfriend to be exact—but he still seems to be involved with her. What does that mean for Alessandra’s friendship with Wyn? How does Wyn feel about Alessandra, and how far does she have to go to find out? Is Alessandra really in love? The story of Alessandra’s first romance is sometimes funny, sometimes painful, but never ordinary. Considering Alessandra’s unique combination of shyness, creativity, and outrageous sense of humor, it’s bound to be an unusual story—and one that only Alessandra can tell.

Kaplow has teenage-girl angst down pat. The characters are quirky, funny, and eminently themselves. The story rings with true—and rings with laughter.
—ALA Booklist, (starred review)
What teenaged girl hasn’t gotten hung up on a boy who doesn’t return her feelings? Kaplow presents the story of such a girl in ebullient terms that every reader will empathize with. With endearing good humor, Kaplow gets inside his protagonist’s mind and makes some telling points about boy-girl relations and the value of true friends.
Publishers Weekly

Alessandra in Between

I am well. I am well. There’s this guy I’m seeing about my sleeplessness, and that’s part of the treatment. I’m supposed to say “I am well” fifty times a day. The problem is that I get bored, and I start repunctuating the sentence: “I am…well…a jerk.” Isn’t life embarrassing when you’re chronologically seventeen and mentally eleven?

Alessandra thinks she’s probably the first seventeen-year-old to be suffering from mid-life crisis. Everything is changing. Her grandfather is in the hospital, college is looming on the horizon, and her best friend, Melissa, is dating the best-looking guy on the face of the earth. The only guys who ask Alessandra out on dates are jerks or psychopaths. Melissa insists it isn’t adolescent menopause that’s getting Alessandra down. It’s the lack of major boyfriend material. So when Terrence, the blond, blue-eyed star writer of the junior class, joins the staff of the school magazine, Alessandra knows this is the guy. Now all she has to do is convince him that she’s the girl. Robert Kaplow’s insightful, funny sequel to Alessandra in Love captures all the hilarious, and sometimes painful, ups and downs of going to high school.